Q: How has your experience with Hoosier Shakes been over the past few years?
A: It has been an interesting activity. As I have gotten older, my urge to be a life-long learner has increased. Hoosier Shakes is something that would not have been in my area of interest in the past. It seems to be a natural progression from my work with the Community School of the Arts in Marion, along with other performing arts groups in the area, (Civic Theater, Grant County Players, Dance Studios and the Drama department at IWU), to find myself involved with Hoosier Shakes and later to serve on the board.
Q: What is photographing HS like over the summers?
A: I have not really found anything I do not like to photograph, but I really enjoy theater and dance. Hoosier Shakes sticks with tradition in that these are not big, complicated productions with the audience somewhat removed from the production if it was on stage in a theater. The singular level, performers and audience, as well as the interaction during the performances is wonderful. I attend a lot of the summer performances and shoot from many angles. Some of my favorite images are reactions shooting back toward the audience members. I also find myself drawn to certain performers each year and may favor them with a higher count of pictures during the shows. I really enjoy the venues and the changes in the productions from location to location. Charlie Creek Gardens is a great venue when the weather cooperates and the performances are outside.
Q: What is your favorite thing about being involved with HS (board of directors), seeing the performances, and photographing?
A: I love the interaction with new people and my understanding and appreciation for the works of Shakespeare, though limited, certainly has increased. I enjoy the interaction with the community and wished the possibility for an arts community facility and permanent location for Hoosier Shakes could have taken place. We will see. As with many boards, getting everyone’s schedules to mesh is tough, but the meeting are generally good and convenient. I love meeting and photographing the performers and those connected with the venues and the productions. Experiencing the shows over the last few seasons and getting a chance to shoot them with a better understanding of the staging is helpful. Catching key scenes and interactions is always a goal with capturing images. I also shoot more video clips during the last season with a change in camera systems. I visited Staunton, VA this last week during the Christmas Holiday and made a stop at the American Shakespeare Center as a result of one of the actors from Hoosier Shakes. I did not have time in the schedule to take in a show, but will on a future visit. Expanding horizons and learning new things.
How can a pay-what-you-will theatre company like Hoosier Shakes engage in economic development? Great question. Certainly not by investing in buildings or property.
Hoosier Shakes does, however, intentionally find ways to help bolster economic development by drawing attention to some wonderful outdoor and other beautiful spaces. Hoosier Shakes devotes at least one week each summer to providing performances in the downtown Marion area. First, we stormed the 3rd Street Courtyard and later the Grant County Family YMCA. We sought to bring life to a seemingly abandoned part of our city where the shops and businesses closed up shop and “rolled up the sidewalks” around dinnertime. That was then; now times are a-changin’. Downtown Marion is undergoing a bit of a renaissance and Hoosier Shakes looks forward to playing our part(s). As long as Hoosier Shakes is around, we’ll devote part of our season to reinvigorating downtown spaces in the Marion area.
Hoosier Shakes also intentionally partners with local businesses and organizations to draw attention to Grant and Wabash Counties. By partnering with the Grant County Visitors Bureau, we’ve connected with restaurants such as Payne’s in Gas City, The Bridge in Upland, The Branch and Grains and Grill in Fairmount, Chapman’s Taproom in Wabash, and Folkies’ Tavern and The Abbey in Marion, among others, to encourage our patrons to eat and shop locally.
Hoosier Shakes also partners with College Inn Bed & Breakfast (Marion) and Haisely’s Hide-A-Way (Fairmount) to provide opportunities for lodging for our out-of-town guests.
Mississinewa 1812 provided free tickets for Hoosier Shakes to give away during performances to call attention to the annual reenactment of a local War of 1812 battle in Grant County. Our desire was to call attention to their good work and encourage our patrons to become their patrons as well.
Hoosier Shakes sponsors “meet and greets” where locals could meet and greet the cast during our season. We are always grateful to The Abbey Coffee Company and Folkies Tavern for their generous hospitality.
And we are always open to more ideas for partnering with local businesses and organizations. If you are a local business or work for one, let us know how Hoosier Shakes might partner with you.
I spent a significant portion of my life teaching undergraduate college students the discipline and practice of theatre in some relatively remote areas, remote with respect to New York City, Chicago, and Los Angeles.
I struggled with training young artists and practitioners whose hopes and dreams of making it in the business of show was extremely different if not impossible.
So, one of Hoosier Shakes’ pillars is to offer students on-the-job training with professional actors. The net result allows students to rise to the occasion and “hold their own” up against more seasoned actors and directors. A wonderful side benefit to this on-the-job training if the relationships and networks students are able to develop with professionals from across the country. A couple of our past professionals have worked on national Broadway tours or on the American Shakespeare Center’s Blackfriars stage.
As I’ve written elsewhere,
“During our 2016 season, senior theatre major Beverly Wagner was cast as part of the company. Beverly struggled as an actor in her university’s theatre program, but one of the two professional directors saw something in her audition that compelled him to cast her as Feste in Shakespeare’s Twelfth Night. She grew exponentially as a performer over the three and one half weeks of rehearsals. Audiences were drawn to Feste and after each performance were surprised to learn that the actor was a student performer. Beverly grew more in three and one half weeks than she did the previous three years in her undergraduate program. The opportunity Hoosier Shakes provided to work with professional directors and alongside more seasoned actors allowed her to succeed beyond expectations.”
One student actor’s mother shared,
“My “Mom mind” thought, “Wow, his first paid gig in the field of acting. How exciting!” Little did I know that these weeks would be filled with so much more than just a “paid gig.”
“Austin moved to one of 3 homes rented for 12 actors who converged on our little community from across the US.
“These “strangers” became my son’s world for the past 6 weeks. They lived, breathed, loved, learned, ate, slept, sweat, cried, laughed and become as much “one” as twelve people can be.
“To each of these cast and crew members, THANK YOU! You have taken my breath, made me laugh heartily, and cry with raw emotion. These performances were truly remarkable! You are all truly remarkable!”
“It’s one thing to learn one’s craft from a class or textbook; it is something altogether different to learn your craft from a craftsman.”
Hoosier Shakes is all about community. The arts, in general, have a way of breaking down barriers for people. When Marilyn and I were living in New York City a few years back, we would occasionally frequent the Museum of Modern Art. Admission was free on Fridays and you would find people from all walks of life. There would be executives on lunch break, young families with children, homeless folks, etc, all occupying the same space. I enjoyed watching people clamoring around Warhol’s Campbell’s Soup Cans or Vincent van Gogh’s Starry Night. Funny how everyone wanted a selfie with Starry Night. Try taking a selfie with dozens of strangers in the background. I suppose patrons were different on other days; the admission price would be prohibitive for many.
Hoosier Shakes seeks to engage our community through accessible and entertaining experiences. Hoosier Shakes aims to make our performances completely accessible; many of the folks we’d like to reach with the Bard’s timely stories have little, if anything, to contribute to, much less really pay for, a ticket.
The Hoosier Shakes experience seeks to break down those barriers that separate us socially, economically, and culturally. From the moment folks arrive at a performance, they are drawn into the event through music, audience-actor interaction, and an a fair-like atmosphere. Everyone sees one another as fellow human beings rather than the categories with which they are identified and often stereotyped.
Hoosier Shakes intentionally seeks to provide that sort of Friday MoMA experience for the people of Grant and Wabash counties. At any given Hoosier Shakes performance, you are likely to find, young families with children, local businessmen and women, people of color, public servants, homeless folks, high school and college students, young and old alike. There is no attention give to our differences, only to our common bond around the theatre experience.
“You wanna go where people know the people are all the same” (Gary Portnoy and Judy Hart-Angelo).
One of Hoosier Shakes’ goals is “to vitalize the performance of Shakespeare…for the diverse communities of Grant and Wabash Counties, Indiana by presenting inspiring, accessible, literate, experiential theatrical performance.”
We do this by embracing a number of early modern staging practices in our performances, including:
Shakespeare’s theatres, and many others, enjoyed light that illuminated actor, stage, and audience alike, allowing for engagement between the actor and the audience member.
A Surrounded Space
Throughout theatre history, and especially in Shakespeare’s theatres, audiences surrounded a central performance space now known as thrust and arena staging. When the audience surrounds the playing space, they are part of the world of the play, visible to actor and other audience members, participating in the performance.
Early modern theatres didn’t have elaborate sets. In Shakespeare’s theatres, acting companies performed different plays each day, so there wasn’t time for a complete set to be built. Simple sets upend the economics of making theatre, putting the emphasis on actor and text.
Many Shakespeare plays, from Hamlet to Macbeth to the histories, have dozens of characters, but early modern playing companies often had casts between 12 and 15. With a small group of actors and many characters, it was common practice for actors to play more than one role.
With simple sets and doubled actors, costumes are of critical importance to Shakespeare’s theatres. They served as the primary visual draw for a production and helped distinguish between characters. Importantly, Shakespeare’s theatres wore what was for them modern dress. Think the equivalent of a t-shirt and jeans, an evening gown, a tuxedo, or military fatigues for teenagers, ladies-in-waiting, lords, or soldiers, respectively.
Here’s what one patron had to say about our style,
“What I love most about Hoosier Shakes is the incorporation of the modern music before & during the show. It really makes the themes of the show relevant and it’s super fun. I also loved the physicality and the…. It was high energy and really worked. I also liked the doubling of characters and how much sense it made for those characters….”
And we do all this while presenting two plays in repertory. Join us this summer when you can see Othello: The Moor of Venice one night and As You Like It the next, or vice versa.
It’s one thing to learn one’s craft from a class or textbook; it is something altogether different to learn your craft from a craftsman. Hoosier Shakes provides students with an opportunity to hone their craft while onstage under the careful eye of professional actors and directors.
High school, university, and community productions are valuable experiences for an actor with a passion for performance. Every opportunity to perform is an opportunity to grow in the craft of acting. Imagine, though, an intense professional rehearsal and production run of not one, but two plays in repertory alongside a New York or Chicago actor and a professional director trained in the style of Shakespeare’s original staging practices.
Last season, senior theatre major Beverly Wagner was cast as part of the company. Beverly struggled as an actor in her university’s theatre program, but one of the two professional directors saw something in her audition that compelled him to cast her as Feste in Shakespeare’s Twelfth Night. She grew exponentially as a performer over the three and one half weeks of rehearsals. Audiences were drawn to Feste and after each performance were surprise to learn that the actor was a student performer. Beverly grew more in three and one half weeks than she did the previous three years in her undergraduate program. The opportunity Hoosier Shakes provided to work with professional directors and alongside more seasoned actors allowed her to succeed beyond expectations.
Would you underwrite on-the-job training for a young performer? Your gift of $500.00 would cover a stipend for one student actor this summer season, or you could sponsor them for a week with a gift of $83.00, or $11.90 per day.
Imagine a young actor living as a starving artist.
A few years ago, I directed a theatre production for a small, non-profit theatre company in mid-town Manhattan. I agreed to direct the show only if the actors were paid a modest stipend for their work. In NYC, the most a non-professional actor can receive is $150.00 per week. We paid our actors between $25 and $150 per week for a six-week rehearsal/performance process.
Near the end of our run, the producers catered a meal for the cast and crew between the final two performances. During that meal we took turns sharing our stories about what our experience together meant to each of us. I will never forget how one young woman began sobbing. She shared through her tears and broken voice how even though she’d been in the city for nearly two years this was the first time she’s ever been paid for her craft and the first time anyone ever offered her a meal as a way to say “Thanks!”
Help Hoosier Shakes say “Thanks” to our cast and crew this summer by providing a day’s worth of meals for one of them. Your gift of $10.00 will provide meals for an actor for one day. We have 16 members in the company and our season runs 6 weeks, so we desperately need approximately $16,750.00 (beyond our normal operating costs) to make the dreams of our actors come true.
Meals for 1 day – $10.00/actor
Meals for 1 week – $70.00/actor
Meals for the season – $420/actor
Meals for everyone for the season – $16,750.00
Help us say “Thanks!” You can donate via or PayPal. Just click the link below…
Hoosier Shakes employs student actors each year as a matter of practice. Student actors are encouraged to apply as research assistants for Hoosier Shakes through a Lilly Grant administered by Indiana Wesleyan University. Students receiving an assistantship are required to present their research as part of IWU’s Honors College’s Celebration of Scholarship.
IWU students Gloria Billingsley and Beverly Wagner presented research related to their involvement as actors with Hoosier Shakes last summer. Wagner presented “Performing Shakespeare: Then and Now”, which contrasted performance during Shakespeare’s day with the performances during Hoosier Shakes’ inaugural season.
Billingsley, assisted by 2016 Hoosier Shakes Stage Manager Joanna Ruhl, presented “Shakespeare and Rhetoric: An Analytical Approach to Acting.” Billingsley led conferees through an overview of her background work to create the character Fabian from Shakespeare’s “Twelfth Night.”
Ruhl published a poster entitled “The Cost of Shakespeare: A Visual Funding Comparison of Three Shakespeare Companies” including: Chicago Shakespeare, St. Louis Shakespeare Festival, and Hoosier Shakes Inc. Her graphic display compared the companies’ income and expenditures side-by-side. Interestingly, while the three companies are vastly different in terms of size, their spending and fundraising percentages are somewhat similar.
The Celebration of Scholarship occurred Thursday, April 6. IWU classes were dismissed for the day, which allowed students from across campus to attend the event. The event lasted all day and student research from academic disciplines all across campus drew crowds to the Poster Hall in the Student Center and individual presentations through the Barnes Student Center.
Hoosier Shakes is pleased to announce our summer 2017 rain location in Marion will be God’s House (216 W 6th St, just three blocks south of our outdoor location at the 3rd Street Courtyard).
Performances will take place in God’s House in the event of, or threat of, inclement weather. According to Hoosier Shakes Technical Director Ryan Akers, ” We will typically make the call to relocate to our rain location around 4 PM for evening shows and 10:30 AM for Sunday matinees.”
“God’s House has a very theatrical feel,” Hoosier Shakes Executive Director Greg Fiebig stated. “The space is reminiscent of an indoor theatre back in Shakespeare’s day, complete with a balcony and thrust staging.”
God’s House is happy to provide space to Hoosier Shakes. God’s House, the 2nd oldest church building in Marion, is committed to sharing space for a variety of community events. According to God’s House Intern Director TJ Thompson, “we basically use the building one day a week. It seems a shame not to make good use of the space. We’re excited to welcome Hoosier Shakes this summer.”
Hoosier Shakes will be performing Romeo and Juliet and Much Ado about Nothing in repertory Wednesday through Saturday evenings at 7:30 PM and Sunday afternoons at 2:00 PM July 19-30.
Hoosier Shakes performances are offered to the public on a Pay-What-You-Will basis. There is no cover charge and all ages are welcome.
My name is Greg Fiebig, executive director of Hoosier Shakes. I’ve taught theatre in Higher Education for the past 20 years, usually at small universities like those in Grant and Wabash counties in Indiana. Part of me always felt a little guilty about teaching and directing students passionate about the performing arts knowing that the chances for them to succeed in the business were slim at best. I know how important contacts are in the performing arts. The adage, “It’s not what you know, but WHO you know,” applies to most any business, but for the theatre practitioner it is absolutely essential to know folks like directors, actors, casting agents, etc.
Hoosier Shakes is, in part, an effort to provide local college students with an opportunity to get their first real break in show business and to develop a network for success by appearing alongside professional artists and directors from across the country. Last season, one of our local actors later auditioned for one of the professional director’s home company and subsequently landed a two-month gig as an actor in Romeo & JuliLIT. So, the networking aspect of our plan paid dividends as well.
Would you help us give a hand up to the young artists-in-training? Your gift of $500.00 would cover the stipend of one of our student actors during our summer season, or you could sponsor them for a week with a gift of $83.00, or $11.90 per day. I cannot begin to tell you what it means to a young artist to get paid, even a modest amount, for their work. It validates their calling, their work, and their passion. And you gift today will begin to build a network in the business that will pay dividends for years to come.
Here’s how YOU can HELP —> https://www.gofundme.com/hoosier-shakes-summer-2017